Last night I went to see my friend's daughter play Golda in a high school production of 'Fiddler on the Roof.' This play was first performed the year I was born. And, of course, I have seen many incarnations of
The GTP is thrilled to announce our dedicated ensemble, giving their time and talents to the US Premiere of our bilingual presentation: A STUBBORN WOMAN: A THEATRICAL MEMORANDUM ON ANNA POLITKOVSKAYA BY FLORENTINE PLAYWRIGHT STEFANO MASSINI DECEMBER 11 as part of our end-of-year celebration Especially
In thinking about a name for our upcoming event the questions associated with so many aspects of our work kept coming into play. Why are we delving deeply into the development of new creative work at a time like
At the very start of my acting career I remember participating in an anniversary memorial of the Holocaust in Rochester, NY at the GeVa Theatre. I was asked to do it on the theatre's dark night by the Festival Artistic
Building a Bridge Between China and The US In reference to the above blog entry by Bob Eckhart, I saw a few very strongly-worded comments against both China and the efforts of our State Department to make an investment of cultural
On September 11, 2001 a horror happened on US soil which, in my observation, did two particular things. It woke us up and it closed us in. I watched back then as the extremity of positions were identified and then held
In my last post I spoke about the challenges of Italian doors and the lessons they provide for that initial moment when we are facing the unknown of a new culture. The step just after we must 'observe the door'
We just completed our 8 week collaboration with the University of Texas on our Global Voices project in Florence, Italy. For the work of The GTP, Italy could not be a more perfect entryway for honing and perfecting the processes and
Originally Posted at www.tcgcircle.org by Aya Ogawa I’ve been asked by many people what the situation in Japan is like now and how it is affecting artists there. As a New York-based theatre artist with many ties to Japan and former TCG
On February 25th we held an event in support of Belarus Free Theatre and a free belarus. However it was also an opportunity to invite those present to join the 'movement' which is The Global Theatre Project by becoming a
